A few examples of appraisal values for
MARGARET ROSE

• NATIONAL MARGARET ROSE STERLING SILVER
  NATIONAL MARGARET ROSE STERLING SILVER SVC. FOR 8, 64 P...64 pieces National Silver Company Margaret Rose pattern sterling silver flatware, service for 8, including 8 New French hollow dinner knives (8 7/8" L); 8 dinner forks (7 1/4" L); 8 individual salad forks (6 1/2" L); 16 teaspoons (6" L); 8 round bowl soup spoons; 8 iced teaspoons; and 8 flat handle butter spreaders. 59.435 weighable troy ounces. Condition: All pieces in overall very good condition with light surface wear.
• NATIONAL SILVER "MARGARET ROSE" FLATWARE
  NATIONAL SILVER "MARGARET ROSE" FLATWARE SETNATIONAL SILVER "MARGARET ROSE" STERLING SILVER FLATWARE SET, 66 pieces comprised of 8 dinner knives, 9.5"; 8 dinner forks, 7.5"L; 8 salad forks, 7 teaspoons, 8 soup spoons, 8 cocktail forks, 8 iced tea spoons, 7 flat butter knives, 1 large tablespoon, 1 gravy ladle, 1 flat master butter, and 1 sugar. Total weighable silver troy 62.2 ozs.
• NATIONAL MARGARET ROSE STERLING SILVER
  NATIONAL MARGARET ROSE STERLING SILVER SERVICE: Approx. 53 pieces in the Margaret Rose pattern by National Silver to include 8 salad forks (6 1/2'') 8 grill forks (7 5/8'') 15 teaspoons (6'') 7 soup spoons (6 3/8'') 8 hollow knives (8 1/2'') 7 solid butter knives (5 7/8''). Approx. 51.4 troy oz. Sold with silver chest 4'' h x 16'' x 12''.CONDITION: Note signs of use & scratches on silver one knife poor condition. Scratches to silver chest.
• Richmond Barthe (American 1901-1989)
  Richmond Barthe (American 1901-1989) "Head of Christ" c. 1945 polychromed plaster signed at back height 12 in. width 8 in. depth 9 in. on original wood base. Provenance: Acquired by the present owner from a Chesterton Indiana family that acquired the sculpture directly from the artist. Note: Born in Bay St. Louis Mississippi with a later childhood in New Orleans Richmond Barthe graduated from the Art Institute of Chicago in 1929 and established a studio in Harlem where he worked through the late 1950's. Scholar Margaret Rose Vendyres notes that Barthe worked on the image of Christ as seen here in this lot at critical times throughout his career. Reference: A cast by Barthe identical to the lot here is conserved by the Smithsonian Institution acc. IAS-9E990026.
• Set of 12 Game Bird Plates each with
  Set of 12 Game Bird Plates each with different transfer-printed game bird, painted details, cobalt and gilt borders, all signed by Margaret Rose Reinbold, dated 1939, limited edition, 1/10 sets, 10-5/8 in.,
• Madame Alexander Princess Margaret Rose
  Madame Alexander Princess Margaret Rose Doll, hard plastic doll, strung well, blonde mohair wig, green sleepy eyes, great face but has a tiny tip end nose rub, 1950's, 17 inches tall, no odors, no cracks to the body, overall good condition Estimate $50-200
• Richmond Barthe (American/Mississippi,
  Richmond Barthe (American/Mississippi, 1901-1989) "Head of Pan", 1963, brun fonce patinated bronze bust with applied ochre highlights, presented on a gray metal cube base, incised "BARTHE" in block letters on the reverse, with foundry mark "Modern Art Foundry , N.Y.", overall h. 17-3/4". I>Richmond Barthe was one of the most important artists of his time who confined his work to artistic sculpture. He was born in Bay St. Louis, Mississippi, and with the financial help of his church congregation went on to study at the Art Institute of Chicago. Following his graduation from the Art Institute, he moved to New York and established a studio in Harlem. His career flourished while in Harlem and he received many honors, including two Guggenheim fellowships, and held his first solo exhibition at the Caz Delbo Galleries in New York. Eventually, the tense environment and violence of the city took its toll and he abandoned his fame and moved to Jamaica, West Indies. His most notable public works include his Toussaint L'Overture monument and General Dessalines Monument, both at the Palace, Port-au-Prince, Haiti; Green Pastures: Walls of Jericho for the Harlem River Housing Project; and the sculpture of Rose McClendon for Frank Lloyd Wright's Fallingwater House. His work is in the public collections of the Metropolitan Museum of Art, New York; Whitney Museum of American Art, New York; The Art Institute, Chicago, Illinois; and the Lauren Rogers Museum of Art, Laurel, Mississippi. Barthe's work has been widely accepted as a symbol of dignity and strength for the African American audience. The authenticity of this work has kindly been confirmed by Dr. Margaret Rose Vendryes.